Hors-série # 66
Liam Gillick
A question of development
November 2016

Interventions in de Witte Raaf advertisement space
18,4 x 25,5 cm, 14.000,00 ex

Silkscreen prints on steinbach 250gr.
65 x 50 cm
Signed and numbered edition of 25 (+ 5 A.P)


Over the course of 2016 Liam Gillick will make an edition in 6 parts. The release dates will follow the rhythm of the art-magazine 'De Witte Raaf'. Every two months Liam Gillick will publish a contribution in the advertisement section. This magazine is distributed for free and is available at many art venues (museums, galleries, art centers, etc)
Alongside, there is a limited edition produced. A 50 x 65 cm silkscreen print, in edition of 25 + 5 A.P.

The suite of Liam Gillick's publications will compose one work, produced over the 12 months of 2016, both in the free version as in the limited edition version.




Born 1964, Aylesbury (UK)
Lives and works in London (UK) and New York (US-NY)

Liam Gillick's website

Selected solo exhibitions :

2017 Were People This Dumb Before TV? A Curated Selection from the Graphic Archive 1990– 2017, Esther Schipper, Berlin (DE)
  Extended Soundtrack for a Lost Production Line: Ton and Film, Galerie Eva Presenhuber, Zurich (CH)
2016 Stardust Expression, Taro Nasu, Tokyo (JP) 
  The Red Wood Pigeons Meets Some Meetings, Air de Paris, Paris (FR)
  And Then, EVA International Ireland's Biennial, Limerick (IR)
  Campaign, Serralves Museum of Contemporary Art, Porto (PT)
  Phantom Structures, Casey Kaplan, New York, (US-NY)
  Cool Your Jets, with Jonathan Monk, Quartz Studio, Torino (IT)
  What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin (IR)
  Liam Gillick and Sadie Benning, Air de Paris, Paris (FR)
2015 All-Imitate-Act, Stedelijk Museum/Holland Festival", Amsterdam (NL)
  The thought Style Meets the Thought Collective, Maureen Paley, London (UK)

Four Developments and a Thought Collective, Alfonso Artiaco, Naples (IT)


1 Rue Gabriel Tarde, Sarlat-La-Canéda, Galerie Micheline Szwajcer, Brussels, (BE)

2014 Revenons à nos moutons, Esther Schipper, April 2014, Berlin (DE)
  From 199A to 199B, Le Magasin, Grenoble (FR)
  Complete bin Development, Galerie Hans Mayer, Düsseldorf (DE)
2013 Five Structures and a Shanty, Gallery IHN, Seoul (KR)
  For the doors that are welded shut, Kerlin Gallery, Dublin (UK)
  From Fredensborg to Halen via Loch Ruthven - Courtyard Housing Projections, HICA - Highland Institute of Contemporary Art, Tullich (UK)
  Margin Time 2 and Laguna Discussion Platform, Austin Museum of Art (US-TX)
  November 1 - December 21, Casey Kaplan, New York (US-NY)
  Vertical Disintegration, Taru Naso, Tokyo (JP)
  Liam Gillick, The contemporary Austin, Austin (US-TX)


Margin Time, Maureen Paley, London (UK)


From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, New York (US-NY)


Scorpion and und et Felix, Casey Kaplan, New York (US-NY)


Agreements, McNamara and Lead Times, Taro Nasu, Tokyo (JP)


Scorpion or Felix, Galerie Eva Presenhuber, Zürich (CH)


A Game of War Structure, Irish Museum of Modern Art, Dublin (IR)


Sit in the Machine, Air de Paris, Paris (FR)


Sit on the Machine, Galerie Micheline Szwajcer, Antwerp (BE)


A Syntax of Dependency (with Lawrence Weiner), Museum van Hedendaagse Kunst Antwerpen (MuHKA), Antwerp (BE)


One long walk… Two short piers…, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (DE)


Everything Good Goes, Meyer Kainer, Vienna (AT)


Seven structures and a large vodka soda, Kerin gallery, Dublin (IRL)


Shots Films by Liam Gillick, Fort Worth Contemporary Arts, Forth Worth (US-TX)


1848!!!, Esther Schipper, Berlin(DE)


One long walk… two short piers KAH, Bonn. (DE)


Seven Structures and a large vodka soda, Kerlin Gallery, Dublin (IR)


Discussion Bench Platforms/A “Volvo” Bar + Everything Good Goes,Casey Kaplan, New York (US-NY)


Everything Good Goes, Meyer Kainer, Vienna (AT)


Two Short Plays, Eastside Projects, Birmingham (UK)


Wall diagrams from the 1990s and early 2000s, House of Art, Budweis (CZ)


Executive 2 litre GXL, MAK, Vienna (AT)


Three Perspectives and a Short Scenario, Museum of Contemporary Art, Chicago (US-IL)


How will you behave: A kitchen cat speaks, German Pavillion, Venice Biennale (IT)


Three Perspectives and a Short Scenario, Kunstverein, München (DE)


The State Itself Becomes a Super Whatnot, Casey Kaplan, New York (US-NY)


Three Perspectives and a Short Scenario, Kunsthalle, Zurich (CH)


Three Perspectives and a Short Scenario, Witte de With, Rotterdam (NL)


The state/commune itself becomes a super state/commune , Micheline Szwajcer, Antwerp (BE)


The commune itself becomes a super state, Corvi-Mora, London (UK)


Weekend in So Show, The Lab, Lakewood (US-CO)


The State itself becomes a super commune, Esther Schipper, Berlin (DE)


Literally Based on HZ, Kerlin Gallery, Dublin (IR)


Briannnnnn & Ferryyyyyy, Liam Gillick and Philippe Parreno, Kunsthalle Zurich (CH)


We are Medi(evil), Angela Bulloch and Liam Gillick, Cubitt, London (UK)


A short text on the possibility of creating an economy of equivalence, Casa Encendida, Madrid (ES)


As you approach the edge of town the lights are no softer than they were in the centre, Casey Kaplan, New York (US-NY)


McNamara Motel, CAC Malaga, Spain (ES)


Factories in the snow, Meyer Kainer, Vienna (AT)


Presentism, Corvi-Mora, London (UK)


Another 2004 Again, Baltimore Museum of Art, Baltimore (US-MD)


A short text on the possibility of creating an economy of equivalence, Palais de Tokyo, Paris (FR)


222nd Floor, Eva Presenhuber, Zurich (CH)


Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp (BE)


Övningskörning (Driving Practice), Milwaukee Art Museum, Milwaukee (US-WI)


Liam Gillick, Aspen Art Museum, Aspen (US-CO)


A Group of People, Air de Paris, Paris (FR)


Construccion de Uno, Javier Lopez, Madrid (ES)


A Film, A Clip and a Documentary, (with Sean Dack), Corvi-Mora, London (UK)


Projects 79: Literally, Museum of Modern Art, New York (US-NY)


Communes, Bars and Greenrooms, The Powerplant, Toronto (CA)


Exterior Days, Casey Kaplan, New York (US-NY)


Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, México City (MX)


…Punctuated Everydays, Max Hetzler, Berlin (DE)


Hills and Trays and…, Schipper & Krome, Berlin (DE)


Liam Gillick, Rüdiger Schöttle, Munich (DE)


Light Technique, Galerie Meyer Kainer, Vienna( AT)


The Wood Way, The Whitechapel Gallery, London (UK)


Dedalic Convention, Salzburg Kunstverein, Salzburg (AT)


Annlee You Proposes, Tate Britain, London (UK)


Liam Gillick, Corvi-Mora, London (UK)


Liam Gillick, Javier Lopez, Madrid (ES)


Firststepcousinbarprize Hauser & Wirth & Presenhuber, Zurich (CH)